Audience, Peer Review, and the MOOC

More empty classroom stuff, UMBCI failed at #WEXMOOC this week. Though admittedly, I feel a little tricked by the nature of the MOOC (defined generally) as well. Our second assignment asked us to reflect on our identities as writers in relationship to three other writers. The assignment gave these instructions:

[W]rite 800-1000 words where you explore connections between your identity as a writer and other people’s identities as writers. Your audience is other writers in this class. 

The assignment seems like the usual stuff of the composition classroom. The audience is quite often other students enrolled in the course. I hadn’t thought through how literally this fact was true however nor how different my audience is in the context of this particular course.

Audience analysis is, of course, my job in a writing project, and I blew it this time. The assignment tells us that we are writing to the “other writers in this class.” Unfortunately, I didn’t think enough about the people who make up WEXMOOC. I imagined the group as somewhere between a typical first-year composition class and what we called a trailing section (that is, students who either took a remediation course or had failed FYC the first time through, so they were off sequence, taking a first semester course during second semester). Some of the students in WEXMOOC are that sort of typical first-year comp student, but there are a lot more international students focusing on Global Englishes than is the norm. Many of the students in WEXMOOC mention other languages that they use. Writing what I think is a good piece or what I believe a typical FYC student would think met expectations fails to connect with these readers. I needed to pitch everything to a global reader and to avoid any moves that did not follow clearly from the assignment. I didn’t think about my audience thoroughly enough to realize that my approach was completely off.

The MOOC is an empty classroom. I can’t see the audience. I do not know them, and because of the huge number of students involved, I probably never will know them. I have to guess at their demographics. I’m not sure where to do research to find out the composition of this particular MOOC. The success of WEXMOOC relies on understanding your readers, but that information is hard to find. I wish the course included more discussion of the audience itself. I would never give an assignment like this without spending time analyzing the audience as a class as well as analyzing several other audiences for comparison. Given that we have limited ability to learn about the members who make up this course, we could benefit from a deeper exploration of this particular audience.

Audience analysis is only part of the problem however. The members of this course need significantly more training in peer review, especially given the structure of this MOOC. Peer review is actually the part of this course that matters. My writing doesn’t need to be what I would call good. It needs to be something that this group of students will peer review as good. Completion in the course relies not just on completing the writing and doing peer reviews, but also on earning a specific average on a 5-point scale from peer readers.

From what I can tell from the two peer responses that I have gotten so far, my readers expected a clear, optimistic conclusion in this assignment. I compared my own background to three others, reflecting with some pessimism on the unfairness of literacy acquisition. It was not an especially brilliant conclusion, but it did follow from what I had discussed. My readers, however, weren’t prepared for anything but an obvious, optimistic conclusion. They wanted me to end with some plan to fix the unfairness that I discussed. They want me to be a better person, not a better writer. One even suggested that I should take some classes in a foreign language so I could relate to the writers I used for my comparison. That is life advice, not how peer review advice. My readers wanted a pretty fable, tied up with a life lesson.

Completion in the course relies entirely on successful peer review. The WEX Training Guide is a good document, but I don’t think it’s enough. It includes only one example review, and that paper was written by a graduate student. That sample isn’t close to the reality of the four papers I gave peer feedback on. Students need more example papers and feedback, including some examples that deal with issues that reflect those students in the course face. An FAQ might even help if it addressed questions like “What if the text doesn’t match the assignment?” , and “Should I mention grammar problems?” As a teacher, I know how to deal with those issues, but I’m not sure that the average student in this MOOC does. Leveling a group of readers for a fair assessment takes time, but when peer feedback matters as it does in this course, you have to take that time.

I opened by mentioning that I feel a little tricked by MOOCs. The pedagogical necessities of MOOCs have created a writing classroom unlike any I have encountered before. This week, WEXMOOC reminded me that the teachers in a MOOC only supervise what is going on. Work is not assessed from a teacher’s perspective, but from the students’ point of view. Writing to peer reviewers is quite different from writing for an objective teacher. Everything relies on those peer reviewers in this course. The size of the course and the range of student writing abilities mean that the staff of a MOOC can never respond adequately to all the writing that students do. If peer reviews matter to the success of a MOOC however, students need more scaffolding to do the work effectively and need a better understanding of one another if they are to meet the expectations of MOOC students as an audience.

 

[Photo: More empty classroom stuff, UMBC by sidewalk flying, on Flickr]

 

The Tiresome Insistence of the MOOC

Say "MOOC"... I covet beta site access. I download and install the newest tools. I try out and review apps before they catch on. I enjoy crash testing systems (even if their developers wish I wouldn’t). But MOOCs haven’t tempted me.

Every week, as I browse the higher ed news and the TechRhet Facebook group, I find at least one new article on MOOCs, but I rarely read more than the first paragraph. When my colleagues merrily enrolled in Duke MOOC and the E-learning and Digital Cultures MOOC, I not only refused to play along but also questioned the worth of the entire endeavor.

MOOCs looked like nothing more than jazzy distance education to me. All I saw was oversized distance ed courses that employed as many digital bells and whistles as possible. Now to be clear, I have no problem with distance education. I don’t even have an issue with online distance ed. I taught Virginia Tech’s first online distance business writing course back in 1994. I have no complaints about using the digital tools to teach writing. I’ve been using digital tools for teaching for decades. I don’t see anything particularly revolutionary in the basic capabilities of a MOOC.

In fact, when I see the world of higher ed so titillated over something we’ve been doing in the computers and writing classroom for years, I’m mainly ticked off. What about a MOOC makes teaching with discussion forums, videos, and online peer review suddenly seem amazing? Seriously, world, I’m asking. Why is this approach exciting and revolutionary? As a writing teacher, I just don’t get it.

No matter how hard I try, what I see in MOOCs is pedagogy that just doesn’t fit with what I know about the best ways to teach composition and rhetoric. There’s a reliance on “sage on stage”-style video presentations. The courses are ridiculously oversized, with thousands of times more students than is recommended. From what I have seen, the students have widely differing levels of ability and need, making it difficult to make sure they get the support they need. It’s hard enough to reach every student when you only have a class of 20 or 25 students. How can you possibly reach every student when there are anywhere from 25,000 to 250,000?

When I teach, I try to reach individual students. Naturally, there is general advice that I share—show, rather than tell; meet the needs of your audience; and so forth. When I talk about these concepts however, I try to fit them to the students with specific examples that they will understand. Education is rarely a one-size-fits-all endeavor. Different students require different examples and approaches. As a teacher who prizes communication and values connecting with her audience, I struggle to understand how MOOCs can teach as well as the much less massive and less open writing instruction that I am used to.

It’s not the OC part of the MOOC that worries me. I champion online courses. It’s the MO I am trying to figure out. I want to understand how to make writing instruction work in a massive, open classroom. There are parts of my heart that really want this kind of global educational outreach to work. I would love being able to help anyone, anywhere increase their literacy skills. But are MOOCs the way to do it?

I see a tiresome insistence on pedagogy that doesn’t match with what I know about teaching reading and writing. Yet, a lot of teachers I respect see potential—and that’s why I’ve signed up for The Ohio State University’s Writing II: Rhetorical Composing (#WEXMOOC). If Susan Delagrange, Cynthia Selfe, Kay Halasek, Ben McCorkle, and Scott Lloyd DeWitt are devoting their time to this strategy, there has to be something there.

The more I have looked at what they are doing and the more I read about MOOCs this past week, the more questions I have:

  • Is my error comparing MOOCs to the classrooms I know? Are MOOCs a new kind of classrooms where the rules have changed?
  • How is the college campus norm of course credit confusing my understanding?
  • In what ways have the relatively even level of literacy skills on a college campus spoiled me? Has my experience with evenly matched students blocked my ability to imagine how to teach dramatically uneven classroom populations?
  • Why is the completion rate for MOOCs so low? If they are a revolutionary way to reach this population of learners, why aren’t they working? Do we need to change our definitions of success and completion?
  • What more do students need to succeed? Can we figure out why students who flourish in MOOCs do so, and then use that knowledge to identify students who needs additional support or preparation and give it to them? How can we provide personal guides to help students navigate this massively open landscape?
  • How do issues of digital access come into play in the success or failure of a student?
  • In what ways does successful participation in a MOOC relate to environmental and cultural parameters that have nothing to do with teaching and the MOOC?
  • How do my own questions of labor, workload, and job security color my understanding of the MOOC? How much of my dissatisfaction with this strategy relates to my fear that it is an attempt to balance the budget by computerizing instruction and removing the teachers?
  • How can a MOOC accommodate a range of student needs without exhausting those who design and teach in it?
  • How can we focus on the benefits of collaboration on such a large scale? How can we help students make personal connections? What do we need to do to ensure that there we build a community of learners that benefits everyone?
  • Are there ways to give credit for the informal or at least non-traditional learning of a MOOC in the more formal systems of higher ed?
  • How can the MOOC fit into the future of higher ed? Do they fit? Do they change the conversation about education and public outreach?
  • What do we need to do to ensure that the best pedagogy drives the future of the MOOC and other online education, rather than the budgetary needs of the university or the business decisions of companies like Coursera and Udacity? Where are we willing to make compromises, and what is non-negotiable?

That’s a lot of questions. Over the next few weeks, maybe I can find some of the answers.

[Photo: Say "MOOC"… by audreywatters, on Flickr]

On Writing When You Aren’t Sure What to Write

New growth on a treeI need to write what I call a spare blog post, that is a post that I can send to the editors of the Bedford Bits blog to use one week when I’m sick or overwhelmed and don’t have time to do my normal, weekly post.

At NCTE, we called these evergreen posts, a post or article that could go up any time of year, something useful to teachers or that teachers were always looking for. For our purposes there (usually to be included in the INBOX newsletter), we leaned toward topics like grammar and persuasive writing.

Try though I have for two days now, I simply cannot think of a good, long-lasting idea to write about for my spare Bits post. I can come up with some timely topics that would be great for today or next week. I can think of ideas that would connect to current events or articles about education.

But a generic idea? I’m just out of them. I feel like I’ve used every good, generic idea I have ever had. All of them. I’ve spilled them out into Lists of Ten, Inbox blog posts, and my other writing until there’s just nothing at all left. What do you do when that happens? What do you do when all the ideas you had stored up seem to be used, and yet the looming deadline says that you need one more?

What If We Treated Teachers Like Wrestlers?

Originally posted on Bedford Bits Website

WrestleMania 25I confess that I’m a fan of professional wrestling. I watch Raw and SmackDown. I have WWE Magazines on my desk. There’s a WWE Calendar on the wall, this month featuring Alberto Del Rio. I even own a couple of John Cena t-shirts.

I realize this admission may seriously taint my ethos as an academic, but I prefer to think of my interest as an exploration of narrative structure and archetypes in pop culture texts. There are good characters (faces) and bad characters (jerks). There is an exposition, climax, and denouement. There are stereotypes that make me cringe most weeks, but there are uplifting moments too. I take each show as a text. It’s not real, you know.

What if it were real though? For months now, I’ve been thinking about the entrances that the wrestlers make each week. They emerge from back stage with a blasting theme song, pyrotechnics, flashing lights, and choreographed dances and salutes to the fans. Iconic video clips and keywords play on gigantic video displays on stage (here are some examples). The crowd screams, wildly waving posters in support of their favorites.

Every week when I watch these entrances and the celebrations that take place in the ring, I wonder what the wrestlers feel. What would it be like to have thousands of screaming fans validating your work? These are the thoughts that have brought me to my topic this week: What if we treated teachers like wrestlers? What if at conventions like CCCC, CWPA, and Computers and Writing, we honored keynote speakers and leaders in the field with the electrifying welcome wrestlers receive?

Imagine Chris Anson taking the stage at CCCC in Las Vegas this week (and if there’s anywhere this could actually happen, it would be Las Vegas). He bursts through the curtains on cue, his theme song blaring. He dances across the stage, his CCCC Chair belt tossed over his shoulder. As video clips and keywords from his best work play on screen, he runs down the ramp and leaps into the ring. The crowd goes wild, clapping and screaming. Fans hold up signs that proclaim their support. Chris climbs the ropes in the corner and holds his belt aloft for the crowd to see. He waves and points to fans in the crowd, reveling in the moment, before bouncing down, handing the belt to the referee, and getting down to business.

I know none of that is ever going to happen, but wouldn’t it be nice if we taught in a world where teachers were so revered that it could? Most of the convention sessions I have attended included polite clapping and a standing ovation or two, but they all fell short of the jubilance that a wrestler experiences. I want to encourage a little grassroots celebration. If you will be at CCCC this week, celebrate those teachers and colleagues who take the stage.

I want to see teachers honoring teachers in Las Vegas. It might feel strange to shout from the audience, but you can pat speakers on the back. You can shake their hands. You can praise their work and let them know how it influences you. Take some photos with them and post them online. If you’re brave enough to hold up posters, share those too. My hunch is that you’ll feel as energized as the teachers you are encouraging.

Share a link to a photo or tell me how you feel about cheering on colleagues. And more importantly, let me know what you think Chris’s theme song should be :) Just leave a comment below, or drop by my page on Facebook or Google+.

 

[Photo: WrestleMania 25 by jrandallc, on Flickr]

2000 Posts!!!

2000 Posts on Tengrrl.com!I logged into the blog just now to add the January Ink’d In to the newsletter archive list (yes, I’m behind) and found this summary information. That’s right. There are officially 2000+ posts here now.

Now never mind that about 2/3 are probably news update summaries. And let’s not mention that there are some missing posts on a Zip cartridge somewhere. Let’s just revel in the nice, pretty numbers :)

How Online Professional Development Changed My Life

This post originally appeared on the NCTE Inbox blog. I happened upon it today and found myself reminiscing on the paths that I’ve traveled to get to who I am. I thought I’d copy it over to my site to make sure I didn’t lose it. I edited it to remove dated references


Chances are high that you wouldn’t be reading this if it weren’t for online professional development. I don’t mean that in the clichéd “If you can read this thank a teacher” way. What I mean is that I would never, ever have had the connections that led to writing these blog entries if it hadn’t been for the online professional development opportunities that came my way.

People who know me may not believe it, but I kept to myself as a teacher before I found opportunities to connect with other educators online. I read a lot about teaching, but I rarely discussed teaching strategies with others. I had some connections in the department where I taught, and I was a fellow of Writing Project site that no longer exists.

And then I got an email address and found that other college composition teachers were out there discussing what they do in the classroom online. I signed up  Megabyte University, an email discussion list that was active from 1990 to 1997. There, I connected with other teachers who were interested in using computers in writing instruction, and I eventually found my voice and began participating–asking questions, sharing strategies, and planning projects. I found that the people who were names on the articles I read in  College English  and  College Composition and Communication  were kind, friendly folks who were willing to chat with a relatively inexperienced person like me.

To my conversations on email discussion lists, I added real-time chats on  MOOs  and  IRC. I attended online conferences related to the face-to-face  Computers and Writing Conference. Before I knew it, I had connections with colleagues in all corners of the country, and I had actually chatted with CCCC presidents and NCTE Committee Chairs. I even got up the gumption to send a personal email message to Peter Elbow to tell him how much I loved  Writing with Power.

Without any reservation, I can say that I ended up writing this blog because of those first connections that I made online in the early 1990s. Online discussion led to new jobs, new teaching opportunities, and new ways to support other teachers using online tools.

None of the resources I tapped when I got started still exist in the same form today. Computer resources have evolved, and we teachers have developed new ways to connect and keep in touch today. Today we have new ways of keeping in touch, like discussion lists, Twitter Chats, and Facebook Groups. You’ll find wonderful teachers who will share their ideas, listen to your strategies, and, if you’re just lucky, bring you opportunities that will invigorate your teaching every day.

A Definition Assignment from a Super Bowl Commercial

I wasn’t blown away by the Super Bowl commercials this year. There were a couple that seemed cute to me. The GoDaddy commercials, as usual, annoyed me. WWE fan that I am, I enjoyed The Rock’s Milk commercial, and like several of my friends, I teared up over the Clydesdale commercial.

The most immediately useful commercial however was this farmer commercial for Ram Trucks, which uses Paul Harvey’s “So God Made a Farmer” speech as its text:

Play this commercial in the classroom and talk about writing extended definitions. It’s a wonderful example and can inspire students to create their own video definitions.

Celebrating Dr. Martin Luther King, Jr.

MLK MemorialIf you’re looking for some activities to celebrate Martin Luther King, Jr. Day this month, read on! This post includes materials on the ReadWriteThink site that fit three categories:

  • Resources specifically focused on Dr. King and texts he wrote
  • Biographical activities you can use to explore Dr. King’s life and writing
  • Family activities that relate to Dr. King

The materials range from mini-lessons to complete units and cross the grade levels. So read on, and celebrate Dr. Martin Luther King, Jr. and his work.

Focused on Martin Luther King, Jr.

Biographical Lesson Plans

Family Activities

  • Amazing Biographies: Writing About People Who Change the World
    After reading about historical figures and other important people that have changed the world, children choose someone that they consider to be “amazing”—either someone they’ve heard about or someone they know—and create a book page that highlights this person.

  • Think Peace 
    Podcaster Emily Manning shares books that serve as a springboard to discuss how children and adults alike can use peaceful, nonviolent methods to affect change in society. This is episode 21 of Chatting About Books: Recommendations for Young Readers, a Podcast for Grades K–5.

  • Celebrate Heroes
    Encourage children to spend a little time thinking and writing about just what makes a hero and who their personal heroes might be.

  • Dr. King Bio Cubes
    Families and children can gather or summarize information about Dr. Martin Luther King, Jr. with the Bio Cube interactive.

  • Create Poetry with the Word Mover App
    Use the word bank from Dr. King’s “I Have a Dream” speech and create found poetry.

If you want even more resources, check out the Martin Luther King, Jr. collection from Thinkfinity.

 

 

[Photo: MLK Memorial by alvesfamily, on Flickr]

Twitter Resources Round-up

Amazing Blue Mountain Bird photo from Feast by Brad Hill http://beatymuseum.ubc.ca/events#feast @beatymuseum 2012-05-20-4463I’ve been using Twitter for years for everything from keeping in touch with colleagues to sharing professional development and curriculum materials with other teachers. In the years since I’ve joined, I often first learn about current events from Twitter (@BreakingNews is my favorite).

Since I’ve been doing this for a while, I have some links I can share, from blogs that I’ve written for NCTE, Bedford/St. Martins, and my own site. They were written over the past few years, so forgive any links that are broken please.

If you’re interested in collecting Twitter links in a simple way for students, Paper.li can be a useful option. The tool gathers Tweets from your feed that include URLs and lays them out in a newspaper-style format. I’ve written several pieces about using Paper.li:

Most recently, I’ve written a series of posts on using Twitter Chats, which are real-time, online conversations that use specific hashtags to help organize the discussion. Twitter Chats can be a powerful tool for students and colleagues. You can read more about them in these posts:

Also, if you’re even slightly interested in how you might use Twitter in the classroom, take a look at William M. Ferriter’s essay “Why Teachers Should Try Twitter” from Educational Leadership. The article explains, “For educators who use this tool to build a network of people whose Twitter messages connect to their work, Twitter becomes a constant source of new ideas to explore.” It includes some tips and how-to’s as well as a personal story on how the experience affected the author’s understanding of differentiated instruction.

Hope that helps any readers who are interested in expanding how they use Twitter. I’m willing to share whatever advice and experience I have, so contact me if you need more or have a question I might be able to answer.

Help Keeping Your Teaching Resolutions

Resolutions 2012Making a New Year’s Resolution is easy. Keeping it? That’s a different story altogether. Personal goals end up competing with teaching goals. The busy whirl of heading back to the classroom crowds out all those plans, and the next thing you know, it’s March and those teaching resolutions are long forgotten.

How about some help with those goals? I’ve gathered some of the best resources from ReadWriteThink and Thinkfinity to help make sure your good intentions all become accomplishments in 2013!

Whatever your goals, I hope you meet them and have a fantastic 2013.

 

[Photo: Resolutions 2012 by simplyla, on Flickr]