Alphabetic Text as the Only Text

Page from a French ABC picture book for the letter A, showing asparagus and an ostrichI’m befuddled by this MLA call for proposals for a volume on the Changing Role of Writing in Composition.

Everything I understand about multimodal texts tells me that any alphabetic text is not tapping the linguistic mode alone; but from reading this CFP, you’d think that spatial and visual modes (for say a paperback book) weren’t a thing until this “turn toward multimodality.”

I’ve read and reread the call, trying to figure it out. I thought maybe I was just not getting something (blame imposter syndrome). For the life of me though, I can’t figure out how to respond to that while talking ONLY about alphabetic text (which is culturally limiting in addition to not making sense in a multimodal context). I’d really love to submit something to the call; but I can’t figure out how to work within such a limited vision of what it is to be multimodal.

 
Image: abc album p1 by patricia m, on Flickr, used under the CC BY-SA 2.0 license.

Free Access, If You’re Patient and Persistent

Covers of the Journals with Articles included in the Rhetoric & Change CollectionRoutledge (Taylor and Francis) is offering a nice collection of articles to mark the RSA conference this weekend: Rhetoric & Change: A Free Access Article Collection in Collaboration with the Rhetoric Society of America (RSA).

It looks like a grand collection; however, the fact that you have to read and download everything one-by-one leads me to believe that Routledge is more interested in trying to keep you on their site than actually providing free access to key pieces.

A well-designed site would have a “Download All” option. I would have been willing to fill out a short survey and give them my email address for such access. Sure free != easy, but it could and often should. Shame on Routledge!

distinguished instructors?

Filigree — Nicolás Paris (1977), by Pedro Ribeiro Simões on Flickr, used under a CC-BY 2.0 licenseToday’s news bulletin from Virginia Tech announced, “Two faculty members receive 2016 SCHEV Outstanding Faculty Award.” It’s a good and wonderful thing for the two professors: Jacqueline E. Bixler, Alumni Distinguished Professor of Spanish, and Michael F. Hochella Jr., University Distinguished Professor of Geosciences.

It also gave me a couple of ideas. One rarely hears of a “Distinguished Instructor.” If the academy really wanted to support and recognize the work of the best instructors, we would find a collection of Distinguished Instructors at every school. But we don’t.

Further down, the article mentioned that “Bixler is an inductee in the Academy of Teaching Excellence….” Now the ATE is a Virginia Tech organization, and instructors can be included. As my eyes wandered over that sentence however, I wondered why the discipline hasn’t created some national or international academy that recognizes excellence on the part of adjuncts and other non-tenure track faculty.

Since adjunct positions frequently require instructors to teach at multiple institutions simultaneously and/or to hop from one institution to another, as the job market requires, those in the adjunct category may not be able to build the recognition at one institution to be recognized by its academy. Why not create something as a field that allows us to recognize the body of work across institutions and raise the profile of some of the hardest-working teachers out there?

 
 

[Photo credit: Filigree — Nicolás Paris (1977), by Pedro Ribeiro Simões on Flickr, used under a CC-BY 2.0 license]

just 10 minutes a day…

Watch Face, by Chris Roach, on Flickr, used under a CC-BY-NC 2.0 licenseOn Wednesday, I happened upon Daphne Gray-Grant’s “How 5 minutes a day can revitalize your writing.” I am writing constantly, so I’m not sure how much I need revitalized. I do know however that I have lots of quick thoughts or ideas that I want to get down so that I might be able to expand upon them later.

I posted this thought about Gray-Grant’s article on Facebook that day:

Wondering about this gimmick as a writing strategy/resolution. I have so many one-off, short, undeveloped ideas floating through my head. What if instead of saving them for later (which almost never materializes) or giving them up because I don’t have time or the know-how to do the relevant research, what if instead of all that, I try to write them down in five minutes or so?

The 10 in tengrrl makes me feel like that should be ten minutes rather than five, but even ten minutes a day is probably doable as long as I don’t get it into my head that every day has to be a stellar accomplishment. Maybe it’s time to create a new five (or ten) minute blog. I just have to decide whether this is a silly gimmick or a strategy for publishing ideas and stories that I too often give up on.

 
 

[Photo Credit: Watch Face, by Chris Roach, on Flickr, used under a CC-BY-NC 2.0 license]

Tools for Teaching Accessiblity?

Look out! Blind People cyclingSo I’ve been considering some of the issues that have been raised at the 2015 Summer Seminar: Access/ibility in Digital Publishing, trying to figure out where I fit in. I have some experience with many different kinds of issues, but I haven’t completely figured out where I belong in the conversations the group has been having.

So I began thinking about how many students (and probably many authors) respond to concerns about making their work accessible. There’s push back, reluctance, and sometimes even refusal. It’s more than simply not wanting to do the extra work or not knowing how to do what’s necessary. I think it’s a failure to understand, even to recognize their privilege–and as a result, an inability to know what needs to change to make a project more accessible.

An example might help. Let’s say a writer adds a photo to something. She might understand that she should include an alt tag for that image, but does she understand how to write a rhetorically effective alt tag? Does she know about long descriptions? Has she ever interacted with a reader with low or no vision? How do you teach someone not to see so that she can understand the needs of her readers?

As I tried to puzzle out this complicated task of extending accessibility of a project (and we are talking about extending. These projects are already accessible. They are just not accessible to everyone or in every way possible), so as I was trying to puzzle out making a project accessible, I began wondering about the opposite (so to speak) of the task. Would I ever ask a person with low or no vision to make a project more visual by adding color, illustrations, and design elements? If I did, what kind of support would I need to provide her? How would I help her understand visual aspects that she (possibly) had never seen and might never use as she herself accessed a text? How would she know if she was meeting her goals?

A sighted writer who has never consciously worked to make a project accessible to someone with low or no vision likely feels she’s confronting similar constraints. She cannot see the absences in the project that she needs to fill out, and she doesn’t understand the extent to which she needs to fill them out. Her privileges as a sighted writer is not obvious to her.

So my question, or perhaps the challenge I’d love to address, is how do I find ways to help those who do not need alternate accessibility paths understand the task of adding them to a text? What tools are available to help such a writer understand the accessibility needs? I’m not looking for the tools to add accessibility, but teaching tools and strategies to help people understand why those accessibility tools are necessary and how they add layers of access to the project. What tools can help her understand the difference between simplistically making something accessible and making it deeply accessible?

I think there are some obvious strategies that people use, like trying to read a text with a screen reader and working to notice what is missing and what doesn’t work. There are accessibility checkers online that people can apply to their texts. I’m not satisfied that tools like these are the best solution. I’m not sure what is.

Faking Social Media Updates

One of my favorite projects has students creating social media updates from someone else’s point of view. Students choose fictional or nonfictional characters and then create Tweets, Facebook status updates, and Instagram posts.

Three Little Pigs Tweet

The challenge is that I don’t want to encourage students to litter the Information Superhighway with dozens of throw-away accounts, used for maybe a dozen posts and then abandoned. For me, a collection of tools that let students fake social media updates has been the answer. I’ve listed my favorites in a post on my Bedford Bits blog.

[Photo: Fake Tweet created by tengrrl with simitator.com. Three Pigs profile photo by sarahemcc, on Flickr.]

 

Remembering Maya Angelou

Maya Angelou visits YCP! 2/4/13Poet and author Maya Angelou died Wednesday, May 28, in her home in Winston-Salem, North Carolina. Angelou is considered one of the finest poets of her generation. In addition, she authored several books chronicling her youth and adolescence, including I Know Why the Caged Bird Sings.

Find related web resources and lesson plans on Angelou on the ReadWriteThink calendar entry for her birthday. For excerpts from an interview with Angelou, consider sharing ‘Fresh Air’ Remembers Poet And Memoirist Maya Angelou with students.

A simple way to remember Angelou in your classroom this week is to ask students to explore some resources about the author and then use one of ReadWriteThink’s interactives or mobile apps to write about her:

 

[Photo: Maya Angelou visits YCP! 2/4/13 by York College ISLGP, on Flickr]

This Week on ReadWriteThink, for August 1 to 11

244.365 - September 1, 2010August is a hopping month on ReadWriteThink. With teachers getting ready to head back to the classroom, the calendar is jam-packed with resources to help make the first days full of fun learning.

You can find back-to-school booklists, icebreaker activities, and community-building resources on our back to school calendar entry. In the featured classroom activity, students share details about their lives with one another using the interactive Graphic Map and share their memories in small groups or with the whole class.

If you’re looking for STEM activities, it’s a good time to talk about computers and the prototype for the World Wide Web, which was created in August 1990. Budding astronauts can explore the first satellite picture of Earth, taken in 1959.

This week’s featured birthdays focus on President Barack Obama (August 4), French author Guy de Maupassant (August 5), science writer Seymour Simon (August 9), and writer Alex Haley (August 11). In sports history, the first woman swam the English Channel (August 6).

This week also marks the anniversary of our national museum. The Smithsonian Institution was founded August 10, 1846. Today, it has expanded to a network of 16 museums and 129 affiliate museums–including the National Zoo and the National Air and Space Museum. Celebrate by exploring an exhibit online and writing “A Day in the Life” narratives that tell about a person, animal, or object they saw in the exhibit.

In addition to those timely topics, check out these new resources for more ideas for the classroom:

[Photo: 244.365 – September 1, 2010 by meddygarnet, on Flickr]

Finding Persuasion in Unexpected Places

SLC2As I did last summer, I spent twelve days this month with my sister on a road trip from Virginia to Utah, with a stay in Salt Lake City for the Stampin’ Up convention in the middle. I learned a number of interesting ideas at the convention, both for my hobby of scrapbooking and cardmaking and for teaching and creativity in general. The most interesting thing that I came upon, however, was the garbage and recycling bins (shown right) in the Salt Palace Convention Center where the event was held.

Read my full post on the Bedford Bits site.

my #clmooc journey so far

Our project for the third week of #clmooc was to make a map of some kind. I took the first option and created this map of my journey in this course so far. If the text size is too small, click on the Prezi logo to see the full-width version.