In the News: What Makes a Memoir?

As I was driving to work this morning, the local NPR station was talking with Philip Graham, Professor of English at the University of Illinois, and
Antonia Leotsakos of the staff of Pages For All Ages Bookstore about book recommendations (archived interview). As seems to always be the case these days, the conversation turned to A Million Little Pieces AKA the “Million Little Lies” of James Frey.

In the course of the conversation, Leotsakos mentioned that the basic issue in the Frey controversy, the question that needed to be asked, was “What makes a memoir?” Most folks know the problems with Frey’s “memoir” at this point, but the question lingered for me as a key one that could be useful in the classroom.

When we ask students to write autobiographical pieces, to what extent do we discuss the importance of truth in that project? When we push them to add specific and concrete details, do we ever ultimately push them to embellishing the truth in the way that Frey has? Memory is such a tricky thing. It’s often embellished in the retellings in ways that become socially constructed and “true” to the teller, even though they may not be truthful to the facts that an independent observer might record.

As teachers, we need to talk about the differences between truth and embellishment and how that interplay works in storytelling. I’m sure there’s an easy lesson for the site that focuses on the Frey articles; but it’s probably more important to create something that gets at the underlying issues without the sensationalism.